Mokare: 1800 – 1831
Not since the time of Mokare has there been more future driven anxiety facing the South Coast’s Indigenous.
As final deliberation on the Single Noongar Claim looms, Western Australia’s South-Western Aborigines face acceptance of the decades long Native Title case against the Government of Australia, an issue as much rooted in the story of Mokare and first contact at King George’s Sound as with Midgegooroo and Yagan at Perth.
This post comes as response to the Noongar artefact exhibition Yurlmun: Mokare Mia Boodja at the West Australian Museum, Albany, a co-incidental display which ties physical objects from Mokare’s time to the resolution of an approaching two-hundred year ordeal.
Sponsored by the British Museum, the exhibition runs from Wednesday, 2nd Nov, 2016 to Sunday, 9th April, 2017.
The exhibition title translates as Returning: Mokare’s Home Country, words of such symbolic magnitude they render the artefacts transcendent. As if possessed by Dreamtime elements, these original spears, spear throwers, axes, hammers and boomerangs come as direct representation from a time long past; the era of the military garrison.